Flip, flop, you've drawn a dream,
Sky up above,
Plic Ploc, you took a tear,
Flower, Flower
Color, green, light yellow, pale, rose, shining blue
Flip (color), flop (green), you've drawn (light) a dream (yellow)Sky (pale), up (rose), above (shining blue)
Plic Ploc, you took a tear,Flower, Flower
Flower, flower, you've drawn my life in...
Color, green, light yellow, pale, rose, shining blue.
Paroles ... Chanson de travail sur les prisons, l'exploitation forestière et les ...Chanson de travail sur les prisons, l'exploitation forestière et les chemins de fer de la fin du 19ème siècle également connue sous le titre Nine Pound Hammer. Chanteur dans un esprit country & western, banjo, harmonica & dobro. Soubassophone & batterie @ 0'58. Instrumental tr-16.
Chorus
Take this hammer and carry it to the captain Take this hammer and carry it to the captain Take this hammer and carry it to the captain
An’ Tell him I’m gone Tell him I’m gone
Verse 1
If he ask you was I runnin’ If he ask you was I runnin’ If he ask you was I runnin’ Tell him I was flyin’ Tell him I was flyin’ If he ask you was I laughin’ If he ask you was I laughin’ If he ask you was I laughin’ Tell him I was cryin’ Tell him I was cryin’
Chorus
Take this hammer carry it to the captain Take this hammer carry it to the captain Take this hammer carry it to the captain
Tell him I’m gone Tell him I’m gone
Verse 2
I don’t want no green back dollar I don’t want no green back dollar I don’t want no green back dollar
It hurts my pride It hurts my pride
Chorus
Take this hammer carry it to the captain Take this hammer carry it to the captain Take this hammer carry it to the captain
Tell him I’m gone Tell him I’m gone
Take this hammer carry it to the captain Tell him I’m gone Tell him I’m gone
Traditional arranged byManuel Galvin & Jean-Jacques Milteau
Paroles ... Groupe indie folk. Confiant, accrocheur & sentimental. Duo de voix ...Groupe indie folk. Confiant, accrocheur & sentimental. Duo de voix masculine & féminine avec des paroles émouvantes. Guitare acoustique & batterie. Chorus @ 1'11. Onomatopées scandées @ 1'54.
Mrs. Sunshine, you're strong enough to smile Do you need me, do you need me anymore? I could settle and watch you from my tower Would it make me, would it make me nice?
Mrs. Feather, you're brave enough to fly
Do you love me, do you love me anymore?
I could give up, I'm sure you'd understand
But would you want me, would you want me in your land?
Mrs. Flower, you sleep within my cave
Do you see me, do you see me anymore? Hear this song and tell me if it's good
Is it good enough, is it good enough for you?
Mrs. Sunshine, don't miss the point I love you
Mrs. Sunshine, you chase the dark away And I need you
I need you
Mrs. Feather, you raise my lead soul to the sky And I love you
I love you
Paroles ... Groupe indie folk. Introduction à l'harmonica avec guitare ...Groupe indie folk. Introduction à l'harmonica avec guitare acoustique. Voix masculine @ 0'30. Tendre, affectueux & inspirant. Banjo @ 1'01 dans un esprit bucolique. Duo avec voix féminine @ 1'11.
I’m a bird stuck in a stormy night
Trying to make it to a tree
And I found you on my way
Let’s fly real high ‘till the morning comes
You don’t need to be scared at all No flood can drown a flying bird
Say you will Say you will Say you will Follow me
And we’ll learn to read the winds better Always best to have them on your side And we’ll rest when we want to
On a floating branch somewhere
You don’t need to be scared at all Life is good to those who
Dare to try
High, high High, high
Paroles ... Chanson country/folk avec une touche bluegrass. Confiant & ...Chanson country/folk avec une touche bluegrass. Confiant & entrainant. Chanteuse, guitare folk, mandoline, fiddle & basse électrique. Banjo @ 1'35.
Gotta keep on movingGotta find a way to get close to youHelp me keep on moving, gottastay on my feet if I wanna get close to youI’m not bad at moving, when I gotta,And I just don’t know what else to do Gotta keep my head up, everyNow and then look up to the skyBeen so low I don’t recall what the Leaves on the trees look likeI’m doing my best,But won’t you help me with the rest Oh while I’m still breathing I’m moving fastIf you want me to stayYou gotta ask If only I could love youI would spend all night getting close to youIf only I could love you I would Be the one you could call yoursOh it sounds so pretty, But if I don’t show you know I’m so unsure Oh while I’m still breathing I’m moving fastIf you want me to stay You gotta ask I won’t say it won’t work if youSay you’ll do the same Hold myself still,StopAnd get myself to stayBut every time I tryYou just slip off to the sideAnd I keep moving Oh while I’m still breathing I’m moving fastIf you want me to stayYou gotta ask x2
No simple word, The open book, The letter's kill and you can't lookA broken lock, The empty mouth, A distant sound creeping out
A long, long, gone melodyA long, long, gone memory of wonder A silent word, The poison took, The shallow eyes take their last lookA whispered doubt, An empty house, An autumn leaf on the ground A long, long, gone melodyA long, long, gone memory of wonder
Paroles ... Déterminé mais rêveur. Voix d'homme, guitare folk & électrique & ...Déterminé mais rêveur. Voix d'homme, guitare folk & électrique & percussions.
Bon, je frappe à la porteComme j’ai toujours faitUn chien dort là, dehors.Elle me regardeVille d’Evelyn,Je ne devrais plus être làTu me laisses entrer ?Mots et images changent sans toi.Plus vrai que vrai, c’est vraiPortes et ponts ferment derrière toiQue ferai-je ?
Paroles ... Folk-rock. Introspectif & solitaire. Groupe folk avec chanteuse, ...Folk-rock. Introspectif & solitaire. Groupe folk avec chanteuse, guitare acoustique, piano & orgue.
Rat a tap tap; Oh don’t you come and ask; Am I a coming back? The sky has gone black on us.
Don’t you weep – Blame myself for these things Known I was stronger than he – And all you weaklings knew it.
Toodle loo; They all abandoned you One bruised and another screwed, But I was the only loved.
Oh, Hannah Leah … I was the only love.
Keep that bed. Now brother, keep that rug. Lord knows I was given so much – And the devil keeps me fed.
On the wall. On the stove – And in the blank book you draw – There are signs of Hannah Leah There are signs of our love.
Oh, Hannah Leah … There are signs of love.
On a black, blue night I go a wandering: Out over Houston – Along Avenue A. Hannah Leah On Avenue A.
Ku Klux Klan; There’s evil in every man. Come love her when you can – And see about Hannah Leah.
Paroles ... Groupe indie folk. Intro atmosphérique. Confiant, sentimental & ...Groupe indie folk. Intro atmosphérique. Confiant, sentimental & exprimant un besoin d'ailleurs. Guitare acoustique & voix masculine. Piano @ 2'05. Build-up @ 2'38 avec batterie, violoncelle & voix féminine. Finale avec chœur.
Sail away from the cries of your cynical thoughts
Sail away from the hurry to prove them wrong
Sail away from the voices who can't help but bring you down Let them think they know something
Then sail away
Sail away from the land where your dreams seem unreal
Sail away to where you don't have to do, where you only have to be Sail away from the striving
Sail away from the struggle
Sail away to the heavens, they're right here in your hands
Sail away to better lands
Life’s become so fragile now that I care But I guess that means that I’m Getting somewhere Remember the time Laying in your bedWhen you told me that you loved me And you stroked my head
And I stared out the open window I’d even told you That one night howWords don’t mean a thing But it’s alright Cause every time I open my mouth And I wanna tell you something But something else comes out
But do you know that I need you nowI’m trying to tell you but I don’t know how So much frustration in my Untidy roomThat you thoughtfully went andGot me a broom But inside my room Is a messy mind that isTangled and twisted And untied
You know that I’m not too organisedI’m trying to be but I don’t have the time The cement in my headWas making me sinkBut you pulled me up and it hurts a little less to think So life’s a little fragile But I guess it always isWhen you’ve got some sort of reasonThat makes you wanna live But will you share a bit of the weightI’ve carried it with me for 21 years straight
I’ve been down and under don’t know what’s going onI’ve been down and under don’t know what I’m doing wrongAin’t no use in trying to get back up on my feet‘cause I’ve been down and under so long Heard from my baby yesterdayhe said that he’s doing fineheard from my baby yesterdayhe said he’s doing fineso damn hard to hear him smile I nearly lost my mind‘cause I’ve been down and under so long Been looking for good companyto help me clear my headI’ve been looking for good company to help me clear my headOne more night by my own side won’t get me out of bed‘cause I’ve been down and under so long They told me just to wait it outthese blues will come and gotold me just to wait it outthese blues will come and gobut days keep getting colder and the sun don’t seem to show‘cause I’ve been down and under so long I’ve been down and under don’t know what’s going onI’ve been down and under don’t know what I’m doing wrongAin’t no use in trying to get back up on my feet‘cause I’ve been down and under so long
One day will come, when you know what to do And I’ll be here with you One day will come, but I’ll wait until I’m sure That I’ll stay with her A new day is coming, with the beating of her heart Oh I’ll never let you down A new day is coming, and makes me think of the two of us When I’m not with her One day will come, when you know what I mean And you’ll see, what we were meant to be One day will come, but I’ll wait until I’m sure That I’ll stay with her A new day is coming, with the beating of her heart Oh I’ll never let you down A new day is coming, and makes me think of the two of us When I’m not with her
Paroles ... Célèbre chanson de minstrel du 19ème siècle composée par Stephen ...Célèbre chanson de minstrel du 19ème siècle composée par Stephen Foster. "Oh, Susanna, Don't you cry for me, 'Cause I come from Alabama with the banjo on my knee...". Chanteur country, guitare, banjo, dobro slide & rythmique. Instrumental tr-28 & 29.
Verse 1 Well I come from Alabama with a banjo on my knee I'm bound for Louisiana, my own true love for to see It rained all night the day I left The weather it was dry Sun so hot I froze to death Susanna, don't you cry
Chorus Oh, Susanna Don't you cry for me ‘Cause I come from Alabama with the banjo on my knee
Verse 2 I had a dream the other night When everything was still I dreamed I saw my girl Susanne She was coming around the hill
The buckwheat cake was in her mouth A tear was in her eye I said I come from Dixie girl Suzanna, don't you cry
Chorus Oh, Susanna Now, don't you cry for me ‘Cause I come from Alabama with the banjo on my knee Yeah Oh, Susanna Now, don't you cry for me ‘Cause I come from Alabama with this banjo on my knee
Words & Music by Stephen Foster (D.P) Arrangement by Manuel Galvin & Jean-Jacques Milteau
Paroles ... Confiant, entrainant & authentique avec une touche 60's. Chanteuse, ...Confiant, entrainant & authentique avec une touche 60's. Chanteuse, guitare folk, piano, caisse claire & rythmique.
There is a land
where we we go
When our hearts are wandering nowhere
We break the ties with the thing we know
And our minds run off to somewhere
Could it be that you & me
Where soft spoken words
elsewhere
Could it be that you & me
Could live together anywhere
Higher level energy
Truly got a hold on me
Now in the mirror of my heart
It is you that I see
Could it be that you & me
Where soft spoken words
elsewhere
Could it be that you & me
Could live together anywhere
Since our story story is written somewhere
If only you knew
How your dreams could come true
If only you’d let me walk by your side
The roads could lead us somewhere
Alternate avec mélodie sifflée en introduction. Confiant, ...Alternate avec mélodie sifflée en introduction. Confiant, entrainant & authentique avec une touche 60's. Guitare folk, piano, caisse claire & rythmique.
I left home when I was 17Just to see if the grass was really green4 years deep of things left behindbut you know I’ve got it all still on my mind Bet you’ve already heard a song like thisOne that ends in that perfect farewell kissBut I won’t play that same old gameNot that flawless role we all seem to wanna play In your hands my heavy heartNowhere to put all the shameGive me back my fragileness And please take some of the blame I love you now that you want me toAnd that’s not something I usually doDigging up the roots of this old oak treeIs just a little harder than I thought it’d be In your hands my heavy heartNowhere to put all the shameGive me back my fragileness And please take some of the blame I gave you the key to let yourself inTo that secret place nobody’s ever beenYou peaked your head inside and looked aroundI can only hope you won’t let me down I don’t know if you seeJust how much you mean to meSo let me know what you findIn this sheltered heart of mine In your hands my heavy heartNowhere to put all the shameGive me back my fragileness And please take some of the blame
Il y avait trop de dope hier soirDe retour sur la route à la lumière du matinOn suivra les cimesEt maintenant tu me montres ce que tu as.On peut sentir les vents errantsSoufflant dans nos cheveux de montagneSur ces anciennes routes, le monde se réveille.Il y avait trop de fantôme hier soirDe retour sur la route à la lumière du matinOn suivra les cimesEt maintenant tu me montres ce que tu as.As-tu déjà vu cette routeIl y avait trop d’amour hier soir !Montre-moi ce que tu as, ce que tu as.
Il y avait des feux dans ma têteEt le souvenir reste toujoursIl y avait des pouvoirs dans ton âmeQui prennent les rênes partout.Ames menteuses dans ta têteQui restent à mes côtésQui continuent à courir de toute façonMarchant plus près sur ta voie.Dis-moi que ta vie est ici mêmeOu approche-toi ici-mêmeViens et entre dans ma journéeEt ne désire jamais cette prièrePas de mensonge entre nousPas de malice, tu voisIl n’y a pas de soucis dans ton âmeElève-toi au-dessus des cascades
Je n’’ai jamais réussi à mettre deux plus deux ensembleJusqu’à ce que je te rencontreJe n’ai jamais aimé comme j’ai aimé avec toiJe ne veux pas vivre sans toiJe ne serai jamais le même sans toiSois celle qui me fautParle-moiParle avec gentillesse, marche avec attentionL’amour est précieux, l’amour est rareAttention à la manière dont tu entres dans ma vie !Attention quand tu glisses dans mon mondeIl me plaît de te regarder te lever,Si tu n’étais pas là, je disparaîtraisComment pourrais-je dépendre autant de l’amour ?Comment cela peut-il être si facileDe t’aimerDe t’enlacerDe prendre soin de toiJe n’ai jamais, jamais senti comme ça auparavant, oh non…Comment pourrais-je dépendre autant de l’amour ?Jamais le paradis n’a semblé aussi réel.SI proche.
Paroles ... Folksong/ standard country & western d'origine incertaine de la fin ...Folksong/ standard country & western d'origine incertaine de la fin du 19ème siècle également connu sous le titre "Cowboy Love Song". "De cette vallée où on dit que tu t'en vas". Mélancolie d'un amour perdu. Chanteur country, guitare, slide dobro, basse, harmonica et banjo. Instrumental tr-19.
Verse 1
From this valley they say you are going We will miss your bright eyes and sweet smile For they say you are taking the sunshine That has brightened my pathway awhile
Verse 2 Come and sit by my side if you love me Do not hasten to bid me adieu Just remember the Red River Valley And the cowboy who loves you so true
Verse 3
Won’t you think of the valley you’re leaving O how lonesome, how sad it will be? O think of the fond heart you’re breaking Every grief you are causing to me.
Verse 4 Come and sit by my side if you love me Do not hasten to bid me adieu Just remember the Red River Valley And the cowboy who loves you so true And the cowboy who loves you so true
Traditional arranged by : Manuel Galvin & Jean-Jacques Milteau