Musique de film des années 70. Pop. Sophistiqué, classe, délicat, ...Musique de film des années 70. Pop. Sophistiqué, classe, délicat, insouciant, plein air & rêveur. Intro avec guitare classique, vibraphone, basse électrique & rythmique.
Daring to be more than ordinaryI was born to be braveBorn to be braveTaking the plunge into vulnerabilityI was born to be braveBorn to be braveBeing all you Created me to I was born to be brave No more hiding, No more running awayI will walk it out, I’ll will walk it outNo more hiding, No more running awayI will stand my ground Show up and be seenStand up and step outMy mind is made upShow up and be seenStand up and step out Don’t be found dancing ‘round the edge of lifeI was born to be braveI’ll count the cost, and if I lose it all, what have I lost?Cos I was born to be braveBeing all You created me to I was born to be brave No more hiding, No more running awayI will walk it out, I’ll will walk it outNo more hiding, No more running awayI will stand my ground Show up and be seenStand up and step outMy mind is made upShow up and be seenStand up and step out I will walk it outI will take my placeI will stand my groundI will live by faith Show up and be seenStand up and step outMy mind is made upShow up and be seenStand up and step out
Paroles ... Rock alternatif. Catchy, énergique & rassembleur. Groupe rock avec ...Rock alternatif. Catchy, énergique & rassembleur. Groupe rock avec chanteuse, piano & orgue.
Shala la la la Hold tight. Shala la la la It's gonna be alright. These days are lost and long; All things are crooked and cold; I'm itching to be numb. I don't wanna see or know. Shala la la la Hold me. Shala la la la Hold me. Let me take you into my arms; Shield you from weary and pain. Who are they who’ve not known harm? Oh love, I just can't say. Shala la la la Hold me tight Shala la la la It's gonna be alright I'll sing you a tune – When love dies in the dark. A song for those who lose; Life gone and took my spark. Shala la la la Hold me. Shala la la la Hold me. The day is lost and long; All things are crooked and cold. We’re fixing to be numb. I don't wanna see or know. Shala la la la Well it's alright. Shala la la la Get me through the night. Shala la la la It's gonna be alright. Shala la la la Hold me tight. Shala la la la Hold me tight. Shala la la la It's gonna be alright. Shala la la la It's gonna be alright.
Paroles ... Rock alternatif. Sérieux, déterminé & percutant. Chanteuse, ...Rock alternatif. Sérieux, déterminé & percutant. Chanteuse, choeurs, piano & batterie.
One … for joy! And one … for sorrow. One for the hand – That takes mine tomorrow. One for the passing stranger. And one for all of us who loves us: A little danger! La la la, la la la! And what for those who scoff at our fun? Well, for them there shall be none! And only some for those who save and never spend. For why shall they have when they don't care for the little things they get? And lest they be slow to take what's so graciously offered – Well there's only more for us, for we're the ones who bother! La la la, la la la! One … for joy! And one … for sorrow One for the hand that takes mine tomorrow. One for the passing stranger. And one for all of us who loves us: A little danger! La la la, la la la!
Loneliness –
Ain't no coward's friend;
For folks like me though
It's a constant.
Something I know,
Something I can lean on,
Something to hold,
When everyone else is gone.
I was lucky to have you,
We laid side by side.
Glad when you said hello,
I was glad when you said goodbye.
Honey, I – I ain't got no fear.
Been ‘round and ‘round,
And I've seen many a tear.
And you and I,
We are free
And we run.
You're gonna have to get real strong,
If ya gonna sing this song.
Find your bravery –
If yer gonna go it alone.
Oh, in a little while,
You're just gonna "be".
Take it from someone wild,
Oh it's good to be free!
Honey, I – I ain't got no fear.
Been ‘round and ‘round,
And I've seen many a tear.
And you and I,
We are free
And we run.
Paroles ... Folk-rock. Nerveux, mystérieux puis determiné. Choeur explosif. ...Folk-rock. Nerveux, mystérieux puis determiné. Choeur explosif. Groupe rock avec chanteuse, guitare acoustique, piano & orgue.
Texarkana en route to New Orleans –
My baby fell from his bike. And I was told he lay conscious;
And he knew death would arrive.
Ride, ride, ride, ride…
From weeping trees blue bottles hang –
And southern grass come covered with mist. Could he not stay on the road we paved?
The dirt devours those who fall adrift.
Ride, ride, ride, ride…
They took his body back to the Golden State;
Where his mother wept a sad goodbye. And not a dry eye was to be seen –
Unless you looked into my eyes.
Paroles ... Folk-rock. Introspectif & solitaire. Groupe folk avec chanteuse, ...Folk-rock. Introspectif & solitaire. Groupe folk avec chanteuse, guitare acoustique, piano & orgue.
Rat a tap tap; Oh don’t you come and ask; Am I a coming back? The sky has gone black on us.
Don’t you weep – Blame myself for these things Known I was stronger than he – And all you weaklings knew it.
Toodle loo; They all abandoned you One bruised and another screwed, But I was the only loved.
Oh, Hannah Leah … I was the only love.
Keep that bed. Now brother, keep that rug. Lord knows I was given so much – And the devil keeps me fed.
On the wall. On the stove – And in the blank book you draw – There are signs of Hannah Leah There are signs of our love.
Oh, Hannah Leah … There are signs of love.
On a black, blue night I go a wandering: Out over Houston – Along Avenue A. Hannah Leah On Avenue A.
Ku Klux Klan; There’s evil in every man. Come love her when you can – And see about Hannah Leah.
Paroles ... Indie rock. Relax, psychédélique & hypnotique. Progression ...Indie rock. Relax, psychédélique & hypnotique. Progression constante. Groupe rock avec chanteuse, orgue & piano.
Switchblade, Switchblade, my lovely friend. I held you so close we two till the bitter end. One pierce, one cut was one was one too much. For you, my love: I offer my blood. Pen knife, pen knife – c'mon All, cheer! For the words we sing conjures tears. One word. A mutter with such restrain. For me, my love, scribe me your pain? Stiletto, my stiletto! Will I, may I? See you again tomorrow? One on one – We two in your room. For we need not be bride or groom. One pierce, one cut was one too much. For you, my love: I offer my blood. My blood. My blood. My blood.
Calme, interrogatif, presque mystérieux avec marimba & divers sons ...Calme, interrogatif, presque mystérieux avec marimba & divers sons de percussions en bois. Build-up progressif. Violoncelle & célesta @ 1'24.
Loop de piano rapide. Cyclique, ondoyant, optimiste & vif. Cordes & ...Loop de piano rapide. Cyclique, ondoyant, optimiste & vif. Cordes & harpe. Final serein avec effet de réverb.
Version alternative en piano solo. Triste, constant & solitaire. ...Version alternative en piano solo. Triste, constant & solitaire. Conclusion tout en délicatesse.
Mélancolique & rêveur. Tempo de valse. Nu piano, synthé & ensemble ...Mélancolique & rêveur. Tempo de valse. Nu piano, synthé & ensemble de cordes @ 038. Piano solo @ 1'31.